Canadian Government to Attempt to Fix Canadian Television Fund
Most TV production in Canada receives funding from the Canadian Television Fund , which is supported by contributions from the Canadian Government (through the Department of Canadian Heritage) and many Canadian Cable and Satellite providers. In the last few years, the fund has undergone many changes in how it is supported by its supporters, especially since many supporters pulled out or reduced their funds by a significant amount. This compounded with the rise of "new media" over the internet and mobile devices, has sent the distribution of these funds into a tizzy, leaving many in the TV industry frustrated. The Canadian New Media Fund, which was created for this purpose, also suffered from lack of Governmental support. Today, Heritage Minister James Moore held a press conference from the set of Flashpoint announcing the merger of the two funds to create the Canadian Media Fund which will come to fruition in 2010 (Image Credit: CTV). Applicants will be required to make their content available on two platforms. While we are happy to read that the Government is attempting to reorganize their TV industry funding , we were a little confused about what developers who only work on either conventional programming or new media would have to do to get funding under these new requirements. Brian Anthony of the Director's Guild of Canada also shared his sentiments on the same thoughts exactly. And the Canadian Actor's Union, ACTRA, has a few words to say too, since 5 of the 7 members of this new board are comprised of representatives from the "Big Cable" industries. In recent years, we've noticed there has been a rise of many independent productions in Canada, especially animated ones which are almost web-exclusive. It would be a sad day to see these productions struggle to get funding, as well as having to really fight to get funding from a board more balanced towards bigger companies. While we were happy to read that they chose to make this announcement from the set of one of Canada's biggest TV successes of recent years, we can't help but worry about how exactly this consolidated fund is going to work. Readers who want to check out videos from the press conference (and take a guess exactly where in Toronto the set is!) can go to CTV and watch them on their media player.☽ And Zap2It has some really cool pictures of the cast of Flashpoint and Numb3rs on an on-set weapons training visit! Enrico Colantoni and Hugh Dillon traveled to Burbank to use a Firearms Training Simulator.
☽ And we have ratings to report: io9 posted an interesting article and poll asking the question "Is there too much to watch on Friday Nights?" I at least had that problem between three shows this week. Flashpoint, Dollhouse, and I also really wanted to catch 20/20 since they were going to feature the farewell performance of Siegfried and Roy. I'm still amazed at how Roy Horn has recovered from his injury, and also amazed at his strength. I ended up watching Flashpoint, and recording the other two shows. Did any of our readers also have this dilemma? In any case, I have lost all faith in Dollhouse. This time I really felt that the banter read right out of a script from Buffy, and that Sierra's part in the episode was just there for a token appearance. Most TV critics are predicting it won't last past these 13 episodes, and I am siding with them. I don't think it's a threat to Flashpoint anymore. Flashpoint had one of the most suspenseful and gripping episodes in its run last week, and I thought the lines of the nanny were brilliantly written and the child stars were superb (we bet they thought it was cool to see all the behind the scenes action and effects)! The other really cool thing about this episode is that the viewers who have been following this show now have a really good idea where each character comes from and they can almost feel their thoughts in their head when they don't have anything to say. You could feel Sam Braddock's heartbreak when Donna walked in, and you could feel Greg Parker remembering what it was like to be there for his son when he gave Daniel a reassuring hug after his captor had been shot. Stephanie Morgenstern and Mark Ellis in one of their beginning promotional interviews said that this wasn't your typical cop show - and every week they live up to it! Anyway, enough gushing about the episode, we were so happy to read this week Flashpoint creamed Dollhouse in the United States! Flashpoint scored 9.8 million viewers and a 2.0/6.0 score with the 18-49 demographic, whereas Dollhouse scored only 3.50 million viewers and a 1.5/5.0 with the same demographic. 20/20 had the same score in the demographic but only had 8.40 million viewers. Flashpoint definitely won the timeslot and CBS won the night! Next week's episode features Sam Braddock in a hostage situation - we can't wait!
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